Opening Reception: “Blue Lives Matter” Tony Rave Solo Exhibition

Celebrate Black History Month with two new series of works by Tony Rave

PLAYGROUND DETROIT presents Tony Rave: Blue Lives Matter opening to the public on Saturday, February 7 from 6–9PM, on view through March 7 during Black History Month.


This exhibition brings together two interconnected bodies of work—the Reagan Series and the Smurks Series—that examine how systems of power shape lives long before consent is ever possible.

Photography Credit, Elonte Davis

Presented during Black History Month, the exhibition speaks to history not as something distant, but as something still living in bodies, neighborhoods, and memory. It honors the full complexity of Black experience—resilience, critique, humor, grief, survival, imagination, and truth-telling.

Photography Credit, Elonte Davis

Both bodies of work share the same emotional terrain: one reflects on the era defined by the war on drugs and its lasting impact on Black families and futures, while the other engages the cultural symbolism of policing through the Blue Lives Matter narrative. His work asks viewers to feel, remember, recognize, and arrive at their own conclusions rather than instructing them what to think.

Photography Credit, Elonte Davis

The Reagan Series reflects on the atmosphere and consequences of an era, focusing on how political decisions reshaped neighborhoods, families, and possibilities. It operates through presence, material, and memory rather than explanation, allowing viewers to stand inside the emotional climate of the time. In contrast, the Smurks Series examines how identity, power, and protection are performed in American culture.

Tony Rave approaches both series with deep personal urgency rooted in lived observation. Growing up in Detroit, he witnessed how policy becomes personal and how slogans, symbols, and public messaging embed themselves into private lives.

His work does not chase shock value or reenact trauma; it insists on honesty. Each piece invites viewers to slow down, sit with the imagery, and confront it through the lens of their own experience. Many of the works in this exhibition are still in progress, making the show a snapshot of an evolving practice rather than a fixed or resolved statement.

Photography Credit, Elonte Davis

Neither purely celebratory nor purely tragic, Blue Lives Matter is layered, evolving, and alive, opening space for interpretation, disagreement, reflection, and discovery. Tony Rave’s work does not complete the viewer’s thought; it ignites it.

“Blue Lives Matter” (Red), 72×72 inches, 2026.

By drawing on familiar characters and visual language, his work questions how innocence and authority become intertwined, and how imagery influences belief, belonging, and control. The connection between the two series is emotional and human rather than literal—together tracing a line between policy and culture, language and imagery, public narrative and inner life.


Tony Rave: Blue Lives Matter
ON VIEW: February 7 – March 7
Viewing Hours: Thursday – Saturday, 12-5PM